Andrea del Sarto
b.July 16, 1486, Florence d.Sept. 28, 1530, Florence Italian Andrea del Sarto Galleries Andrea del Sarto (1486 ?C 1531) was an Italian painter from Florence, whose career flourished during the High Renaissance and early-Mannerism. Though highly regarded by his contemporaries as an artist "senza errori" (i.e., faultless), he is overshadowed now by equally talented contemporaries like Raphael. Andrea fell in love with Lucrezia (del Fede), wife of a hatter named Carlo, of Recanati; the hatter dying opportunely, Andrea married her on 26 December 1512. She has come down to us in many a picture of her lover-husband, who constantly painted her as a Madonna and otherwise; even in painting other women he made them resemble Lucrezia. She was less gently handled by Giorgio Vasari, a pupil of Andrea, who describes her as faithless, jealous, and vixenish with the apprentices; her offstage character permeates Robert Browning's poem-monologue "Andrea del Sarto called the 'faultless painter'" (1855) . He dwelt in Florence throughout the memorable siege of 1529, which was soon followed by an infectious pestilence. He caught the malady, struggled against it with little or no tending from his wife, who held aloof, and he died, no one knowing much about it at the moment, on 22 January 1531, at the comparatively early age of forty-three. He was buried unceremoniously in the church of the Servites. His wife survived her husband by forty years. A number of paintings are considered to be self-portraits. One is in the National Gallery, London, an admirable half-figure, purchased in 1862. Another is at Alnwick Castle, a young man about twenty years, with his elbow on a table. Another youthful portrait is in the Uffizi Gallery, and the Pitti Palace contains more than one.
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Andrea del Sarto Johannes oil painting


Johannes
Date Deutsch: um 1520-1530 English: c. 1520-1530 Medium Oil on panel Dimensions Deutsch: 154 x 101 cm cyf
Painting ID::  79421 		Andrea del Sarto
Johannes
Date Deutsch: um 1520-1530 English: c. 1520-1530 Medium Oil on panel Dimensions Deutsch: 154 x 101 cm cyf
   
   
     
Andrea del Sarto Madonna of the Harpies oil painting


Madonna of the Harpies
1517(1517) Oil on wood cjr
Painting ID::  79525 		Andrea del Sarto
Madonna of the Harpies
1517(1517) Oil on wood cjr
   
   
     
Andrea del Sarto Portrait of a Lady with a Book oil painting


Portrait of a Lady with a Book
1514(1514) Medium Oil on wood Dimensions Width: 69 cm (27.2 in). Height: 87 cm (34.3 in). cyf
Painting ID::  79527 		Andrea del Sarto
Portrait of a Lady with a Book
1514(1514) Medium Oil on wood Dimensions Width: 69 cm (27.2 in). Height: 87 cm (34.3 in). cyf
   
   
     
Andrea del Sarto Madonna mit Heiligen und einem Engel oil painting


Madonna mit Heiligen und einem Engel
c. 1520-1530 Oil on panel 177 x 135 cm cjr
Painting ID::  79562 		Andrea del Sarto
Madonna mit Heiligen und einem Engel
c. 1520-1530 Oil on panel 177 x 135 cm cjr
   
   
     
Andrea del Sarto Madonna of the Harpies oil painting


Madonna of the Harpies
1517(1517) Oil on wood
Painting ID::  79603 		Andrea del Sarto
Madonna of the Harpies
1517(1517) Oil on wood
   
   
     
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     Andrea del Sarto
     b.July 16, 1486, Florence d.Sept. 28, 1530, Florence Italian Andrea del Sarto Galleries Andrea del Sarto (1486 ?C 1531) was an Italian painter from Florence, whose career flourished during the High Renaissance and early-Mannerism. Though highly regarded by his contemporaries as an artist "senza errori" (i.e., faultless), he is overshadowed now by equally talented contemporaries like Raphael. Andrea fell in love with Lucrezia (del Fede), wife of a hatter named Carlo, of Recanati; the hatter dying opportunely, Andrea married her on 26 December 1512. She has come down to us in many a picture of her lover-husband, who constantly painted her as a Madonna and otherwise; even in painting other women he made them resemble Lucrezia. She was less gently handled by Giorgio Vasari, a pupil of Andrea, who describes her as faithless, jealous, and vixenish with the apprentices; her offstage character permeates Robert Browning's poem-monologue "Andrea del Sarto called the 'faultless painter'" (1855) . He dwelt in Florence throughout the memorable siege of 1529, which was soon followed by an infectious pestilence. He caught the malady, struggled against it with little or no tending from his wife, who held aloof, and he died, no one knowing much about it at the moment, on 22 January 1531, at the comparatively early age of forty-three. He was buried unceremoniously in the church of the Servites. His wife survived her husband by forty years. A number of paintings are considered to be self-portraits. One is in the National Gallery, London, an admirable half-figure, purchased in 1862. Another is at Alnwick Castle, a young man about twenty years, with his elbow on a table. Another youthful portrait is in the Uffizi Gallery, and the Pitti Palace contains more than one.

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